论文范文网-权威专业免费论文范文资源下载门户!
当前位置:毕业论文格式范文>毕业论文>范文阅读
快捷分类: 英雄文献综述 描写林肯的英雄论文100字 关于我心中的抗日英雄大学生论文

英雄在职开题报告范文 与超级英雄之父斯坦李方面在职开题报告范文

分类:毕业论文 原创主题:英雄论文 发表时间: 2024-01-21

超级英雄之父斯坦李,本文是英雄方面有关硕士学位论文范文跟斯坦李和超级英雄和父斯坦李方面硕士论文开题报告范文.

  As a teenager working at part-time jobs in New York City in 1939, Stan Lee never expected to become a legendary talent behind some of the world’s most memorable super-heroes.

  “I never looked that far ahead,” says Lee. “In fact, I never thought I’d get into the comic book business. I applied for a job at a publishing company and I thought they published regular magazines, which they did also. But the one place they had an opening was in the comic book department, so that’s where I went. I guess I’ve been there ever since, practically.”

  And what a tenure it was. Lee, whose given name is Stanley Lieber, was quickly promoted at Timely Comics, from office assistant to writer to editor. By the time the company became known as Marvel Comics, in the 1960s, he was art director and about to revolutionize comics.

  Unlike the perfect, invincible comic book superheros of other companies, Lee made Marvel’s new characters flawed, more human.

  “And I tried to show that even though they had super power, everything wasn’t perfect in their lives. They still had to worry about earning a living, about their relationship with other people, about their families and their health and so forth,” Lee says. “And I tried to make them real people who happened to he super powers. And apparently that little shade of a difference was the main thing that made the characters as popular as they became.”

  The characters that Lee and the Marvel artists created are so popular, more than two billion comic books based on their adventures he been published, in 75 countries and 25 languages. For fans interested in creating their own characters, Lee has published a book called “How to Draw Comics,” which covers all the elements of the comics art form, including tools-like computers-which were unimaginable in the industry’s early days.

  Looking back over his 70 years in comics, Lee sees other changes, too. “When we did the comics years ago, we tried to make them so they were suitable for every age. They were sort of G-rated. We had a lot of action, but we didn’t really he what we’d call violence,” he says. “I tried to write them so they were intelligent enough for an older reader, but a young kid could also understand them and enjoy them. Today, sometimes they become a little more. gritty a little more dark than they had been.”

  While comic book artwork has become much more sophisticated, Lee -who is primarily a writer, not an artist-says that’s not enough to hold an audience. Story is everything. You could he the greatest artwork in the world, but if the artwork is depicting a story about nobody’s interested in, you’ve got nothing.

  Interest in stories about Marvel’s superheroes is growing, especially in Hollywood. Next year, Captain America and The Mighty Thor will bring their adventures to the big screen, following in the super-footsteps of The X-Men, Ironman, the Fantastic Four and, of course, Spiderman.

  Lee, when pressed, picks Spiderman as his forite superhero, because he’s become the most popular. But I really love the mall, I love lronman, I love the X-Men. I could go down the list. It’s like asking a parent who his forite child is.

  Lee is no longer surprised at the popularity of the characters he helped create. “Now I expect it. In fact, if people talk about some of the great characters in the world today and they don’t mention Marvel’s characters, I get very upset”

  As chairman emeritus of Marvel Entertainment, the 88-year-old keeps a loving eye on his classic characters, even as he continues to create new heroes and comic universes. He supports the not for profit Stan Lee Foundation, which promotes literacy, writing and the arts. And next year, he’ll reach an entertainment pinnacle of sorts-his name will appear on one of those coveted brass and stone stars set into the sidewalk on the Hollywood Walk of Fame.

  1939年,斯坦·李在纽约市打零工时还是一个少年,根本没有想到有朝一日他会创作出世界上一些最伟大的漫画英雄人物来.

  他说:“我从来没想得那么远,也从来没有想到自己会从事漫画书行业.我到一家出版公司找工作,我以为他们出版一般性杂志,他们的确也出版这种杂志.但当时那个空缺是他们漫画书部门的,因此我进到这个部门工作.从那时以来,我实际上就一直呆在那儿.”

  多么好的终身职位啊!李的全名是斯坦利·里伯.他很快在快捷漫画公司得到提升,从办公室助理一跃升为漫画作家,然后升为编辑.该公司1900年代改名为惊奇漫画公司后,他已经成为艺术部主任,一场漫画革命即将到来.

  和其它公司创作的完美无缺、攻无不克的漫画英雄人物相比,李为惊奇漫画公司创造出一些虽有缺点、但更具人情味的新人物.

他说:“我想表达的是,这些人物虽然具有超能,但是,他们的生活并非一帆风顺.他们也要为挣钱糊口、人际关系、家庭以及健康等问题担心.我试图把他们刻画成恰好拥有超能的真实人物,这一微小的差别是使这些人物家喻户晓的主要原因.”

  斯坦·李和惊奇漫画公司的艺术家们笔下的人物受到广泛欢迎.有关这些人物的探险故事的2亿本漫画书在75个国家、以25种文字出版.斯坦·李为热衷于创作自己的漫画人物的漫画迷们完成一本名为《如何画漫画》的新书.该书覆盖了漫画艺术的所有要素,包括像电脑这样的工具,这在漫画业的早期历史中是无法想象的.

  回顾自己70年的漫画生涯,斯坦·李还看到一些其它的变化.他说:“多年前,我们从事漫画业时,我们试图使作品满足每个年龄层的口味,符合大众口味.虽然加上了很多动作,但并没有所谓的暴力.我试图创作一些比较成熟的人物,不仅年龄大的读者能够接受,连小孩子也能看懂和欣赏.但是,今天的漫画人物比过去更强悍、更灰色一些.”

  斯坦·李的身份是漫画家,而不是艺术家.他说,当今的漫画艺术变得比过去更高深,更精美,但是光靠这个不足以吸引读者.故事是最重要的.你可以创作出世界上最伟大的艺术作品,但是如果这个艺术作品所刻画的故事情节,没有人感兴趣,你就一无所得.

  人们对惊奇漫画公司的超人故事表现出日益浓厚的兴趣,特别是好莱坞.明年继《X战警》、《钢铁侠》、《神奇四侠》和《蝙蝠侠》之后,《美国队长》、《雷神》被搬上银幕.

  当被问到自己最喜欢的超级英雄时,斯坦·李选择了蝙蝠侠,因为他已经成为最受欢迎的漫画人物.他说,但是我都非常喜欢他们,我喜欢钢铁侠,也喜欢X战警,不胜枚举.这就好像问一个父母最喜欢自己的哪个孩子一样.

  斯坦·李对自己参与创作的这些人物如此受欢迎,已不再感到惊奇了.他说:“这是理所当然的事.事实上,如果今天有人在谈论世界上最伟大的人物时没有提到惊奇漫画公司的人物,我会很恼火.”

  88岁高龄的斯坦·李如今是惊奇娱乐公司的荣誉退休主席.虽然他仍在继续创作一些新的英雄人物和新的漫画世界,但是,他对自己过去创作的一些经典人物独有情衷.他还支持推动扫盲、写作和艺术的非盈利组织——斯坦·李基金会.明年,斯坦·李将达娱乐颠峰的新高度,因为他的名字将出现在好莱坞星光大道上一个令人垂涎三尺的由青铜和水磨石制作的星形奖章上.

归纳总结,本文是一篇关于对不知道怎么写斯坦李和超级英雄和父斯坦李论文范文课题研究的大学硕士、英雄本科毕业论文英雄论文开题报告范文和文献综述及职称论文的作为参考文献资料.

参考文献:

1、 斯坦李:造神挥别宇宙 斯坦 李没有超能力,却是超能力英雄的创造者,这世界因为他的存在而变得更加精彩 全球75个国家都有他的漫画发售,培养了不计其数的正义粉丝,“漫威之父”的传奇,也是追梦人的终极神话.

2、 盘点斯坦李银幕作品,他的一生就是漫威史 11月12日,美国漫画界元老级人物斯坦·李在好莱坞一家医疗中心去世,享年95岁 从此美漫界和电影界少了一个活跃身影,每部漫威超级英雄电影里会客串出现、本身就成为一个彩蛋的和蔼逗趣的老人离.

3、 怀念密斯特李 白琳李国涛先生问我的第一句有关文学的话是Do you know Washington Irving我的回答是Yes, I know 那是十三年前的傍晚,他上楼来找年轻人帮他在网上买书,我那时候刚刚到编.

4、 双翅目昆虫侵袭对荷斯坦奶牛内分泌与免疫机能的影响 摘要本试验旨在研究在双翅目昆虫嚣张期,双翅目昆虫侵袭对荷斯坦奶牛内分泌及免疫力的影响 试验选取9头健康荷斯坦奶牛,采用酶联免疫吸附(ELISA)法对奶牛内分泌激素进行测定;采用流式细胞仪对外周血液CD.

5、 超级英雄为何要穿紧身衣? 口文,重木在如今风靡全球的超级英雄作品(漫画和电影)中,几乎每一个超级英雄都有一身十分个性但也十分程序化的战服,而这身战服往往紧绷而且塑形,把超级英雄一一无论男女一一健美、性感的身体完美地衬托起来 对.